Tragic Rants or
who is John Galt?
I ran across a post on the Canada Blogs by James Burns that is worthy of a rant.
James writes:
No matter how much personal genius is at the root of an idea or service that makes someone wealthy, whether it be a book (the Harry Potter series and the wealth it has generated for Rowling come to mind) or some other invention; that wealth is largely made possible not by that genius, but by the whole structure of society. The distribution of the ideas, the manufacture of the products or services that result; all these things come about due to the labour of countless souls and the existence of a private and public commons of transportation and communications systems, whose interconnection and interdependence is next to incalculable.
The rich should pay their fair share of that boon, because it society's recognition of their genius that provides them their largesse, not their genius in and of itself. They owe an enormous debt, because they have received a reward that far outweighs their contribution.
According to James, those who produce and add to society are deserving of a greater burden. They owe us, according to James, because we ... didn't produce or add anything?
Now I'm just an office schlep with a hobby of making comics. David Cronenberg is a world reknowned director of films. In James' scheme of things, if I ride public transit I should only pay $2 whereas Cronenberg should have to pay $100. See I've gone and watched Cronenberg's films and spoken favourably about them. I'm a contributor to his wealth. Without me, Cronenberg is nothing. Besides, he's got lots of money. A hundred bucks is nothing to him. Why shouldn't he pay more?James' way would have it that it is only by society's recognization of Cronenberg's films that he is wealthy and that it took an army of others to bring those films to fruition - Cronenberg's contribution being no more integral than anyone else.
Listen, Cronenberg's films will remain genius whether I or anyone else in society view them or not. Any wealth that Cronenberg has made is the result of my willingness to pay for his films. There are no victims here. I gave the theater my ten bucks. That money went to pay the ticket person, the projectionist, the people who delivered the film to the theatre, the people who processed the film, the cast and crew of the film, and to Cronenberg.
Does the projectionist plays an integral role in the delivery of the film from Cronenburg to myself? Well yes. But you know, we can always get another projectionist. Anyone could drive the truck that delivers the film. Heck - we don't even need the ticket person, a machine could do the job just as well. But there's only one David Cronenberg and he's the only one that can create a David Cronenburg film.
So when Cronenberg is paid, and paid very well, I don't shed any tears for the minimum wage earning ticket collector. He got what was due to him and so did Cronenberg.
James has it backwards. It's not the producers who owe society, but society who owes the producers. We enjoy what we have only because of their innovations. They are giants whose backs we ride upon.